Compositions by John Dowland for soprano, alto, tenor, bass and lute

Title click for details	Creators	Composed	Instrumentation	Period/style	Type
A Pilgrimes Solace (Wherein is contained musicall harmonie of 3. 4. and 5 parts, to be sung and plaid with the lute and viols.)	John Dowland, composer		voice and lute soprano, alto, tenor, bass and lute soprano, alto, tenor, bass and lute	Renaissance	Songs, Sacred songs, Galliards
A Shepherd in a Shade his Plaining Made	John Dowland, composer		soprano, alto, tenor, bass and lute voice and lute	Renaissance	Songs
Say Love if ever thou didst find	John Dowland, composer	1603	4 voices voice and lute voice, lute and viol voice and viol 4 voices and lute soprano, alto, tenor, bass and lute 2 voices and 2 lutes 2 lutes	Renaissance	Songs
The Second Book of Songes ({{TPtr}} :The Second Booke of Songs or Ayres of 2, 4 and 5 parts: with Tableture for the Lute or Orpherian, with the Violl de Gamba ... Also an excelent lesson for the Lute and Base Viol, called Dowlands a dew.)	John Dowland, composer		voice and lute voice, lute and viol 2 voices and lute 2 voices, lute and viol 4 voices and lute soprano, alto, tenor, bass and lute 3 voices, lute and viol 5 voices and lute lute and viol	Renaissance	Songs, Airs
Third Booke of Songs (The Third and Last Booke of Songs or Aires Newly composed to sing to the Lute, Orpharion, or viols, and a dialogue for a base and meane Lute with five voices to sing thereto)	John Dowland, composer		voice and lute voice, lute and viol voice and viol 4 voices and lute soprano, alto, tenor, bass and lute 2 voices and 2 lutes 2 lutes 5 voices and 2 lutes	Renaissance	Songs, Airs
White as lilies was her face	John Dowland, composer		2 voices, lute and viol 3 voices and lute 4 voices and lute soprano, alto, tenor, bass and lute	Renaissance	Songs

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